the poet
Zain Rishi is a writer from Birmingham, England. He won the 27th Ware Poets Open Poetry Competition, placed third in The Oxford Poetry Prize 2024, and was highly commended in the Poetry Wales Award 2024-25. Zain's poetry has featured in Magma, wildness, Fourteen Poems, New Writing Scotland, Gutter, Propel Magazine and various anthologies. Currently based in Edinburgh, he saw his debut pamphlet Noon published in February 2026.
the poems
Relay, 2014
There was little point running
from the roundness of my bum or stomach
because there was always the summer
relay – my feet crunching
along the track, that blistering June – its
inevitable sense of foreboding.
I'd watch the rooks watching
me, lining the green metal gates
like good boys, fully-armed to the whistle
in Mr Rolls' hand, liver-spotted
in the way sunlight, for all
its majesty, was also slacking off in parts.
It was the slack, I guess, of most
things that bothered me. How it took
seven adults to say Yes, we should
have better safeguards. Meanwhile, I, a flail
of a boy, blindly thudded
the astro, flattened under corners of skin.
Lately, I see everything in these shapes.
Sometimes, a colour is a boy
and a weapon. Sometimes, breath
is a language I don't mind losing.
Most days, on the walk to school, I'd take
longer, more ambling routes. Proving
to no one that I could bear
the journey, even when I was carrying
myself. But I suppose, in all of this,
there were good lessons too.
Like the air, albeit wheezed, pulsing
out of me as I ran half-courts.
Like my whole life, flung like a baton
into the hard light of noon. Our
half-baked bodies, always beckoned
forth. As if by momentum. As if we
are always somewhere behind
ourselves, holding out a reason to stay.
Imagine Your Luck
when you find a letter between the stomach folds
of the sofa, creased to shit, well-loved as Amma
often said, unyellowed by light, a crackled white
devotion plucked from the days when people still
wrote letters /
let's suppose you do what the plot
demands, you open the damn thing, crook of nail
gliding below the seam, finger grazing the cream
veneer, good paper, veined leaf, ink weeping out
the back like hi, miss me /
and not that you don't
read it to begin with, there's a certain joy to this
stitch of anticipation, that breath before the call
to prayer, a blackout to applause, a finding that
finds you back /
one weekend your abbu packed
the car with everything but your bike, promising
it'd find you in Pakistan, where he told you a girl
cannot cycle in this country, that her faith gives
up at the sight of her joy /
you had been written
like this, penned to be simple, kempt and God-
fearing, to imagine your luck, to scrawl it in the
margins, past the ringbind, past the gate to the
place you lived then buried it /
there is a place
where you go when it all gets too loud, maybe
I'm there with you, maybe not, maybe morning
breaks in the way a car does and a father gets
out saying where is Sarah, where is she /
Mum–
where are we? where we unfold like letters, no
better than a father giving memory its flight, no
lighter than the moment you tore one future in-
to another /
it's a habit, history, even the river
remembers the grip of a flood, even our eyes
mourn the grass when it's cut to the corners,
even the books we shut, they open like birds,
and still we try to read them
Swim
Mum tells me there is nothing worse
than the attack I had at six, drowning
on too little air, lips purple and skin
white as haddock. All the while, snow
dotted the landing, thick flakes of it
spread skeletal to the window like
pinned butterflies. Whatever held me
there between her hands and the world
below us, I had no idea what it meant
or would mean. The brevity. The spring
we would swim in rock pools and chase
our sandals out to sea. All the signs
said things like DANGER and NO
LITTERING and LOOK BEFORE YOU
LEAP and I never looked for anything
except one breathless dive, a whale
song ringing through my ears,
a backing track – no, a promise
I would breathe again. In some dreams
her sonar finds me, a chorus
below the wave crests. And lower still, that
new sound, my heart outweighing
a small boat. The ocean of our future
bleeding light towards the ascent.
Publishing credits
Relay, 2014 / Imagine Your Luck: Noon (The Emma Press)
Swim: exclusive first publication by iamb
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