the poet
As well as having poems in Stand, Poetry Wales and One Hand Clapping, Northumberland-based Jim Lloyd won third prize in The Rialto Nature and Place Poetry Competition 2020. He recently completed an arts practice-driven PhD at Newcastle University, using various media – including creative writing – to explore the question ‘What is it like to be a bird?’ Jim's three poems for iamb are in memory of his father, the artist R J Lloyd (1926–2020).
the poems
Bookmark
I wait, having rung both bells – as instructed by the notice
(which could have been written by a Lindisfarne monk).
Waiting for two doors to be unlocked and unbolted.
Doors which I would have run through freely.
A double-handed handshake,
Then a light lunch, with a well-chosen vintage.
Maybe, you’d like to look in the studio?
Of course! I’d say, with a little trepidation.
See the latest paintings, for the latest show!
I reckon these might sell well, or that’s the aim …
(Moon figures – Avebury ring).
And then we’d talk – of Nicholson and Co.
and of Mr Babb’s black puddings, and the price of frames –
and what Ted Hughes said, and what you in turn,
told him about the monotype inks and the printing presses,
and about the narwhal tusk you once bought on a whim
one cold mid-winter’s day –
and the loneliness of the long-distance runner
was mentioned, only in passing.
The Long Stone Row
A track, just perceptible from afar,
Disappears close up; some trodden grass here,
Occasionally a boot print. We follow
This meagre path over the wide moor,
On a compass bearing, by the bog
Cotton, and the tussocky moor-grass, and heather.
What is there apart from this wet slog?
There are no curlews crying out, no grouse,
Nothing moves – there’s only heath and rock.
So, we keep on walking, until a cross
Comes into view, then a cairn, then a menhir;
A stone presence, rising from the peat and moss.
Standing tall, a pillar of warm black ice,
Smooth to touch, lichen coated, always wet;
Soaked by rains, and chilled by moorland mists.
The 2001 monolith: dark granite.
Then another stone, and another, and another …
Who put these here? Beings from a different planet?
And have you been here? Did you discover
These lost long-stones? I think I will ask you –
Did you trudge across this featureless moor?
You have been to places like this, I know,
But did you visit these monuments?
Or did you dream your Dartmoor stones.
Rock aligned with rock, to orientate
With the stars and winter solstice sun –
A site for druidic sacrifices.
I will tell you where we walked: we began
By the ruins of Drizzlecombe farm,
Then climbed Combshead Tor, and by a large cairn,
Past the pool which isn’t always there,
By the stone circle, and the long stone row,
And on towards the low ridge with the scars
Of the tin workings. On again to follow
A faint trail (or maybe a sheep-track)
Over the blank moor, skirting the hollows
Of Foxtor Mires, to a cross by a leat.
From here, we could see Nun’s Cross and the farm;
A rectangle of green, with a single tree.
And I remembered, this is near Childe’s Tomb.
Not a child’s tomb, but a man called Childe –
A rich hunter, who got lost in a snowstorm.
It is said that the blizzard was so wild
That his horse collapsed, exhausted, and died.
It sounds improbable, but they say he slit
open his horse to get shelter inside.
The storm raged, and he left a note to say,
Whoever finds his body and provides
A good burial will inherit all his money.
This news spread fast, and the ensuing race
Was won by the monks of Tavistock Abbey.
They mounted a cross, here, at his burial place.
Did you know that story? Do you think it’s true?
We walk on, by bleached, broken stems, retracing,
Stone by stone, step by step, déjà vu,
Like we have been here before, on these trails,
But this time I cannot tell you
and you can’t reply, with one of your long tales.
Publishing credits
Bookmark / No Guru: exclusive first publication by iamb.
The Long Stone Row: bind (August 31st 2021)
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