the poet
Teacher, soldier and marketing manager Sarah Frideswide is a lifelong poet and fiction writer with a varied career. She was first published at the age of 17, and would go on to achieved a distinction for her MA in Creative Writing at Oxford Brookes University. Sarah's poetry has been published by the Oxford School of Poetry Review and Dust Poetry Magazine, and she was selected for the 2025 Poetry School/TLC Free Reads Scheme. As well as writing for Pen to Print, Sarah is among the speakers for the 2026 Bournemouth Writing Festival.
the poems
Erosion
In your kitchen, the planes of your face remind me of a cliffside,
stories worn into the rock, soft where it has crumbled.
Wrinkles that shine like sun on the sea at dusk,
eyes a wave moving in and out of the light,
they have trapped laughter and song.
Every line of you
splits me apart.
“A person who’s dying is the greatest source of life,” you said,
as though the loss of you wouldn’t rip a hole in my sky.
Your falling cliff, eroded by time; your empty shell
buried on a beach; your raindrops, only ripples
on a pool after
they cease
to exist.
You were an antiques dealer. You restored each piece, touch
by careful touch, with a magnifying glass. You cradled
universes. Resurrected history with your hands.
Later, you taught me how to draw, all neat
orderly lines. Then you tore up the page,
tumbled scraps of me
to the floor.
You took me to a mansion with windows into a closing world,
Said this was where you used to live. You did it up yourself.
Wide pebbled drive, sculptures on the walls, granite
fireplace. All I could think about was a home
without you; empty rooms, furniture
frozen under
dust sheets.
You say you feel lucky to know in advance, to live every minute,
but I am disintegrating. The cliff looks solid until water pulls
it apart. Stone worn to rubble, sunk and tossed,
sand dragged over beaches.
The white chalk of you
slips
in
to the
sea.
Segsbury Fort
This is not death, this is a crescendo.
At the top I sit, legs over the drop,
a train rattles across the valley,
the hedge is bright in low light,
drooping with fullness, mottled with bronze.
Downhill, the smell of mould and dung follow.
Broken tarmac shines,
glowing cobwebs span the road.
Darkness falls as winter enters,
light lost, waiting.
20th Birthday
My prayers had all dried up, I knew there was no mercy.
The floor was slick with bile and mother begged for Jesus
who showed up naked, body of criss-crossed scars
that wouldn’t heal, tied my hands behind my back
so I couldn’t save her from herself, stood to watch the end.
She yelled at me, I saw parts of her no daughter ought to see,
then she pissed herself all over the bed, gave up her mind,
became a wired machine, full of pipes, liquid
fed the mass of her while she slept.
I couldn’t eat, I spent that whole week in hospital
nurses said what a devoted carer I was,
but I was just a body with no mind,
when I took her home, still in torn pyjamas,
You’re useless, she said,
You haven’t done the washing up.
You haven’t done the washing up
You’re useless, she said,
I took her home, in torn pyjamas,
a body with no mind,
nurses said I was a carer,
because I couldn’t, spent all week
feeding the mass of her she slept
in liquid pipes, a wired machine,
gave up her mind all over the bed,
yelled displayed parts of her no daughter
could save watched the end,
hands tied behind my scars that wouldn’t
show naked, body full of criss-crossed
mother slicked with bile begged for Jesus,
my prayers had all dried up, I knew there was no mercy.
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