the poet
The overarching themes of Bristol-based poet Anna Maughan's writing are the intersection in her life of chronic illness, complex PTSD, and motherhood. Published in Anti-Heroin Chic, Dust Poetry Magazine, Ink, Sweat & Tears, The Aftershock Review and elsewhere, Anna was highly commended in Nine Arches Press' Primer series. She's a regular at reading events around Bristol, and has performed at the Cheltenham Poetry Festival.
the poems
The Day After
the Crisis Team Visits,
We Go To Funderworld
Diazepam dissolves to sweet sludge on my tongue,
my clenched brain softens, numbs,
as we trudge across the mud
toward the gaudiness.
My youngest child's smile is cloudless:
I marvel at his oblivion,
wonder if he works hard to maintain it.
The first ride he goes solo,
lurching up, down, up
on the gut-wrenching machine.
My partner takes pictures
as I think about death
and smile until the corners tremble.
It's hard to be suicidal
on the Waltzers, brain wrapped in candyfloss haze;
hard to think about endings
when you are centrifugally pinned in place
between those you love, fixed
on their grins as you spin, holding on
as you try to let go.
The Crazy Mouse can't compete with me,
though we are both spindly, rickety,
held together with old bolts and hope.
The carriage plunges, twists, dips.
My son is still smiling. There are still demons
in my chest. We rattle and laugh
and cuddle together in the cold.
A sign says, 'Mind Your Head'. I do.
The site is trampled, litter-strewn. This fair
comes and goes, springing up overnight, staying a while.
Lurid, loud, overwhelming, full of screams.
Then one day it is over, dismantled piece by piece
with sweat and effort, packed and driven off, until
it's just a muddy imprint on the grass.
All that's left is what we choose to remember.
By next spring, my son may have outgrown
this smattering of rattletrap thrills.
By next spring, I hope I might be sane.
Visiting Hours
Once I’d arrived, I could not leave alone.
My door was opened every 15 minutes
to check this wounded creature hadn't found
a bloody means of escape.
The two of you came with your unwilling dad,
who leaned away from loving me
as if I were something rotten.
I was made of paper, hiding the torn edges
with a storybook façade. You both read me with glee,
unaware of any damage.
You tumbled together, brightly
in the serene, sunny garden,
as if everything were normal.
My arms were made just to hold you.
When we returned to the family visiting hall,
I showed you some of the yoga I’d learnt:
happy baby pose. The three of us on our backs,
bent legs skyward, rocking, laughing –
more laughter than that austere room
had ever known. It looked on, nonplussed,
smelling faintly of Mr Sheen and boiled vegetables.
I'd been brought the only treasure in the world
worth anything to me, golden, brim-full
of an untarnished future.
Even a place like this was alive with you.
And you couldn't stay. I couldn't leave.
Mouse
All the hurt, heartache, horror in the world,
and I can't stop thinking about the little mouse
my cat brought in last night.
Attempting to be a saviour, I trapped it
under a glass. It scrabbled desperately at the sides,
as if its life were there, just out of reach.
But its back legs trailed behind, bent
and useless, tethering it to a certain death.
The sugar-coated shine dissolving from its eyes —
I couldn't leave it to suffer.
Panicked, all I could think of
was the hammer, just one blow —
but my kindness crumbled
in the face of this small savagery.
I carried it outside. Put it safely away
from the cat's maiming, to die slowly,
alone in the rainy dark.
What I'm trying to say is
being kind takes bravery.
What I'm trying to say is
my timidity was brutal.
What I'm trying to say is
it's easy to believe
you'd do the right thing
until you have to bloody
your own hands.
Publishing credits
The Day After the Crisis Team Visits, We Go To Funderworld:
The Aftershock Review (Issue 2)
Visiting Hours: Anti-Heroin Chic (July 12th 2024)
Mouse: AEOS Magazine (Issue No. 1)
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