top of page

Kate Vanhinsbergh

wave

26

summer

2026

back

next

the poet

Nominated for The Pushcart Prize and based in Manchester, England, Kate Vanhinsbergh has seen her poems appear in Frazzled Lit, Black Bough Poetry, Anomaly, Ink, Sweat & Tears, After… and elsewhere. She writes about our planet's climate, grief, love and spirituality, and holds a Masters in Creative Writing from Keele University.

Website link if there is one
Facebook link if there is one
Bluesky link if there is one
Instagram link if there is one
YouTube link if there is one
SoundCloud link if there is one

the poems

Dark Matter

A Letter to Netanyahu

00:00 / 00:48

               Not the helmet of bone,

               with its rope

               of blood-soaked hair,

 

               nor the separate

               forearm and hand

               still clutching

 

               whatever, at the last,

               was most dear,

               but the weighty eye

 

               taken from the head

               and washed in water

               from your flask —

 

               hold it to the light,

               turn it from side to side,

               see the images

 

               moving across the surface.

               Line up the retina’s maze

               with your own

 

               and see the orange grove,

               how his wife kneels

               in the shade with their son,

 

               the way she smooths

               a lock of hair

               behind the infant's ear.

We Should Probably

Get Up Now

00:00 / 00:54

but outside, the world has paused:

the wind has put down its loneliness,

 

its fear of never being seen or known,

and next door’s kids have stopped screaming

 

through the wall. The cats are curled up

around our ankles, and you say you like me

 

like this, with the sun falling in slabs

through the window,

 

my curls glowing orange on the pillow.

You touch my cheek

 

with the backs of your fingers.

In this room, we have nothing but time —

 

glasses of water, a vase of white roses,

miles of cotton drawn up, spun and spread.

 

I could've believed that all chances,

all paths crossed, led us home to this:

 

love’s quiet design

in the present tense.

Optical

00:00 / 00:51

Through the window, she lights a candle

with a fizz, small subtraction of air.

 

I focus on her back, as she crosses the room

to sit at a simple desk.

 

And why should I not

look through this frame,

 

reach in and pluck a single ice cube

from the sweating glass on the table,

 

place it square on my tongue

like I did the word for ‘ice’, hielo?

 

In the quiet I can hear the ice melt

and collapse against the edge of the glass.

 

Why should I not, with a strange sense

of honour, and nothing of loss,

 

observe my former self? I came, and went,

without her knowing.

Publishing credits

Dark Matter / Optical: exclusive first publication by iamb

We Should Probably Get Up Now: Ink, Sweat & Tears

  (January 3rd 2026)

bottom of page